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As the tried-and-true saying goes,
when an orange is squeezed, orange juice comes out; because that is
what's inside. |
Guitarist Mike Scheuchzer explains.
"Besides all the work that goes along with being on the road, we're all
married and have ten kids among us now, none over the age of five. Life is
busier than ever before. So this time around, when the tour ended, we realized
we were due back in a recording studio in less than a month, and we had
nothing!"
Instinctively, MercyMe hauled its gear from the tour bus back into a Sunday
school room at a church in its hometown of Greenville, Texas, where the guys
banged out fresh ideas after a much-needed week of rest with their families.
From there, the group met up with venerable producer Brown Bannister (Amy Grant)
in the woods of Idaho at a way-off-the-beaten-path studio called Cider Mountain
Recorders.
"I know . . . who goes to Idaho to make an album?" laughs Millard.
"But it was amazing. Surrounded by nature, we'd see deer and turkeys just
walking past the windows as we recorded. And it was really awesome to be able to
put everything else aside. We needed to hunker down and get all the pieces
together in just a couple of weeks."
The first song to take shape was "God With Us," a soaring praise
selection born from a jam session and lyrically inspired by a question Millard's
pastor asked: Why does God look our way?
"I couldn't get that out of my head," Bart remembers of the idea
behind the long player's first single. "The desire to sing about the
undeserving love God shows us all was intense. I found myself worshiping simply
in the process of writing the song, which was a big bonus."
That experience also authenticated MercyMe's decision to make All That Is
Within Me a record especially for the church, a level best effort that finds
the group hitting for the fence on every cut.
"My church was also going through the book of Leviticus where it talks
about bringing offerings that are 'without defect,'" Millard recalls.
"Sometimes we're all guilty of giving our scraps to the church—showing up
or helping out 'if we can make it.' But we should always give our very best, and
we kept that specifically in mind with each song: This is for the church."
That isn't to say All That Is Within Me is a buttoned-down endeavor by
any means. Sure, the band is an ongoing success at Christian and mainstream
adult contemporary radio, but MercyMe is a rock act at heart, and the set bursts
open with the revved-up punch of "Goodbye Ordinary" and "Time Has
Come." Blended together into one continuous track, these introductory songs
reflect a broad range of musical influences from The Beatles and Tom Petty to U2
and The Killers while the latter's message clearly defines the band's deepest
allegiance:
Time has come to raise our hearts as one and glorify
the God of everything. We live our lives for the renown of Christ. Oh, we are
children of the sovereign King.
"We ultimately said, 'Let's just make a record
that comes out of our hearts,'" Millard says. "Among the six of us, we
love all kinds of different music, but the more worshipful moments in any song
always lead to our favorite moments on stage."
Sure to be another future in-concert favorite is "All Right," a fun
Sheryl Crow flavored sing-along encouraging listeners to Count it pure joy
when the world comes crashing. Hold your head up and keep on dancing.
Equally uplifting in its Keane/The Fray piano-pop framework is "I
Know," a serious song that deftly incorporates, of all things, a
disco-styled breakdown. The fact that MercyMe can make such a spectrum of styles
work together effectively is a testament to the band's sheer musical talent—a
sparkling interplay of tasteful abilities that has been singularly hailed in Entertainment
Weekly, USA Today, and Billboard.
Quite poetically, the hurriedness behind All That Is Within Me led to a
couple of its most gripping tunes. "You Reign" is the result of an
iChat between Millard and one of his musical heroes and friends, Steven Curtis
Chapman. Mentioning MercyMe's rush for new material, Chapman shared a song idea
he'd been unable to complete himself. In no time, the band coupled its
creativity with the concept and had a huge worship anthem that will be the
project's second single.
Album closer "Finally Home" was written on the spot in Idaho when
Millard heard guitarists Scheuchzer and Barry Graul improvising on a simple yet
stirring acoustic riff. Returning to the deep well of emotion that comes from
losing a loved one, the singer writes more about the passing of his father from
cancer that happened when Bart was a senior in high school.
I'm gonna wrap my arms around my daddy's neck and tell
him that I've missed him. And tell him all about the man that I became and hope
that it pleased him . . . When I finally make it home.
"I wrote the first line and just started
bawling," Millard says. "Then we played it for our producer, and he
started bawling. I wasn't sure if the song would fit on the album, but Brown
said, 'You just made a grown man cry. It's going on the record.'"
Indeed, countless listeners first met MercyMe through the account of Bart's
father which inspired the band's 2001 breakthrough hit, "I Can Only
Imagine." The song about heaven continues to comfort grieving people
everywhere and is still a favorite on radio playlists nationwide today.
Look closely at the front of All That Is Within Me, and you'll see a
photo of Arthur Wesley Millard's gravestone—one of fifty-six defining images
shown in the cover collage, which leads to one more great last-minute story
behind the album's manifestation.
A week before cover art for All That Is Within Me was due, each member of
MercyMe was given a disposable camera and asked to take photographs of all that
is within him. The results were turned over to a designer and range from the
literal (food) to the lasting (family).
"The first thing I did with my camera was walk to my father's grave,"
Millard admits. "I live less than a mile from where he's buried. He would
get such a kick out of all that has happened to MercyMe and his part in it. God
has taken us so far; there's so much I wish he could have seen. When you look at
these pictures and hear the new music, you'll know this is who we are."
Click here to read a biography
for "Coming Up to Breathe"
Click here to read a biography for
"Undone"
Click here to read a
biography for "Spoken For"
Click here to
read a biography for "Almost There"