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Acoustic-pop band FFH is ready to explore the wide open, poised to sing a fresh
song on the wings of career sales nearing one million units and propelled by No.
1 hits like “Before It Was Said,” “On My Cross,” “Watching Over Me,”
“I Want to Be Like You” and “One of These Days.”
On its fourth and latest Essential Records’ release, Ready to Fly, FFH soars
to new heights. The album maintains the foursome’s signature sound—upbeat
pop melodies over an acoustic, guitar-driven rhythm—while incorporating
evocative production elements complimentary of a truly personal album.
A dozen years ago, FFH emerged as an independent a cappella group playing
primarily for small church services. Quickly, co-founders Jeromy Deibler (lead
vocals, guitar, piano) and Brian Smith (bass, vocals, trumpet) gained a
reputation for offering outstanding praise & worship music. Eventually
Jeromy’s wife, Jennifer (vocals) and Michael Boggs (guitar, vocals) emerged as
indispensable contributors to FFH and its top-notch live performances. Once
recognized for charting the highest indie-act single in the history of Christian
radio, FFH is today a core artist within Christian music, lauded for its
inspiring, vertical lyrics.
Yet, on Ready to Fly FFH plots a course for uncharted territory, musically
exploiting piano-based melodies and emotive strings— details that lightly
peppered 2001’s Have I Ever Told You.
“I think listeners will notice stylistic diversity on this CD,” says Jeromy,
who is also the group’s primary songwriter. “Piano is what I’ve written
our songs on thus far, so, incorporating for the first time my piano playing
into the recording process is more of a natural progression than most people may
initially realize.”
Several cuts shape Ready to Fly’s distinct sound by integrating classy
orchestration to create powerful, emotional moments. “We used strings to
amplify certain songs and further drive some of our points home,” Jeromy
explains. The title track best exemplifies this, a song that builds momentum as
it venerates spiritual empowerment found in Christian faith. Likewise, “Follow
Love,” featuring Jennifer’s lush vocals over a sweeping piano melody,
celebrates the dreams and desires God places in our hearts.
Fans appreciate many aspects of FFH’s live show, none more than the group’s
vulnerability when members share their hearts from stage. Perhaps like no
previous FFH project, the lyrics on Ready to Fly capture that same sort of
openness. It was an unplanned, but welcomed, thematic discovery.
“Yes, this record became a more personally focused record than our other
projects. It is about freedom and it’s about honesty,” says Jeromy. “The
songs ended up telling a story about where we are with the Lord and where we are
with each other right now.”
“Here I Am” is a touching anthem in which the group shares the comfort of
freedom in God’s grace. “That song came out of a period of wrestling with
what grace means to us in light of where we’re all at, both in our lives and
within society,” says Michael.
God’s relentless pursuit of His children is echoed on “You Found Me.” The
song kicks off with Jeromy and Jennifer trading vocals, each surrendering to
God’s unconditional love and faithfulness: “You found me in the places of my
loneliness/You told me there’s more to life than this/You captured me with
tenderness/You found me.” Fun wah-wah guitar parts illustrate the joyful
spirit characterizing FFH’s approach in interpreting this song.
The most endearing and personal song on the record is “Waltz for Jennifer,”
Jeromy’s simple Valentine to his beautiful wife of eight years. “It’s just
a cute love song,” he says. “I haven’t written that many songs that
aren’t directly about the Lord, so this song creates a clearer window into our
personal lives.”
FFH members credit the group’s new-found lyrical and sonic independence to
Jeromy’s increased leadership in the studio. On the heels of his work with the
debut record from Fervent recording artist Big Daddy Weave, Jeromy receives a
co-production credit for Ready to Fly, working alongside producers Scott
Williamson (Lincoln Brewster, Point of Grace) and David Hamilton.
“The buck really did stop with Scott, but having just come out of the studio
with Big Daddy Weave, I was ready to lend input on our music. Even though I had
only a small hand in that process, it was very fulfilling to know the record
turned out the way we all hoped it would.” With Michael contributing several
self-penned songs, Jeromy’s new piano work in the studio and Brian recording
his first trumpet solo (on “Good to Be Free”), Ready to Fly is truly a group
effort.
Now FFH is ready to hit the road again, a privilege members enjoy some 200
nights a year. Taking off this spring will be the major-market “Ready to
Fly” tour with FFH as the headlining act. In what will no doubt be a command
performance, the tour will continue in the fall as well.
“It’s pretty awesome to see how God can work through us in the cities we
visit,” says Brian. “In each concert setting, we feel it’s essential to
share a gospel message since we’ve been given the platform to do so. God is
clearly using those times and the music to touch people in major ways.” The
group is often blown away by the many listeners who make decisions for Christ as
they worship together - more than 5,000 in the last two years alone - and they
find fulfillment in being able to provide discipleship materials and follow-up
to reinforce those individuals’ decisions.
“Ministry is our entire purpose,” Jennifer confirms, recalling the group’s
mission statement of reaching “as many people as we can for Jesus as quickly
as possible.” “At our concerts, we want our audiences to focus on God, not
on us. We’re up on stage worshiping right along with the crowd.”
“Art is the only thing on the face of this earth that allows room for creation
and interpretation,” Jeromy concludes. “Our goal with Ready to Fly is for it
to be a medium to share simple stories like Jesus did with parables and then
follow-up with hardcore ministry that God can use to change lives.”